We saw that the poorer classes in Rome were lodged in huge insulae, and enjoyed nothing that can be called home life. The wealthy families, on the other hand, lived in domus, i.e. separate dwellings, accommodating only one family, often, even in the Ciceronian period, of great magnificence. But even these great houses hardly suggest a life such as that which we associate with the word home. As Mr. Tucker has pointed out in the case of Athens,the warmer climates of Greece and Italy encouraged all classes to spend much more of their time out of doors and in public places than we do; and the rapid growth of convenient public buildings, porticoes, basilicas, baths, and so on, is one of the most striking features in the history of the city during the last two centuries B.C. Augustus, part of whose policy it was to make the city population comfortable and contented, carried this tendency still further, and under the Empire the town house played quite a subordinate part in Roman social life. The best way to realise this out−of−door life, lazy and sociable, of the Augustan age, is to read the first book of Ovid's Ars Amatoria,—a fascinating picture of a beautiful city and its pleasure−loving inhabitants. But with the Augustan age we are not here concerned.
Yet the Roman house, like the Italian house in general, was in origin and essence really a home. The family was the basis of society, and by the family we must understand not only the head of the house with his wife, children, and slaves, but also the divine beings who dwelt there. As the State comprised both human and divine inhabitants, so also did the house, which was indeed the germ and type of the State. Thus the house was in those early times not less but even more than a house is for us, for in it was concentrated all that was dear to the family, all that was essential to its life, both natural and supernatural. And the two—the natural and supernatural—were not distinct from each other, but associated, in fact almost identical; the hearth−fire was the dwelling of Vesta, the spirit of the flame; the Penates were the spirits of the stores on which the family subsisted, and dwelt in the store−cupboard or larder; the paterfamilias had himself a supernatural side, in the shape of his Genius; and the Lar familiaris was the protecting spirit of the farmland, who had found his way into the house in course of time, perhaps with the slave labourers, who always had a share in his worship.
It would probably be unjust to the Roman of the late Republic to assume that this beautiful idea of the common life of the human and divine beings in a house was entirely ignored or forgotten by him. No doubt the reality of the belief had vanished; it could not be said of the city family, as Ovid, said of the farm−folk.
The great noble or banker of Cicero's day could no longer honestly say that he believed in the real presence of his family deities; the kernel of the old feeling had shrunk away under the influence of Greek philosophy and of new interests in life, new objects and ambitions. But the shell remained, and in some families, or in moments of anxiety and emotion, even the old feeling of religio may have returned. Cicero is appealing to a common sentiment, in a passage already once quoted , when he insists on the real religious character of a house: “his arae sunt, his foci, his di penates: his sacra, religiones, caerimoniae continentur.” And this was in the heart of the city; in the country−house there was doubtless more leisure and opportunity for such feeling. In the second century B.C. old Cato had described the paterfamilias, on his arrival at his farm from the city, saluting the Lar familiaris before he goes about his round of inspection; and even Horace hardly shows a trace of the agnostic when he pictures the slaves of the farm, and the master with them, sitting at their meal in front of the image of the Lar. We may perhaps guess that with the renewal of the love of country life, and with that revival of the cultivation of the vine and olive, and indeed of husbandry in general, which is recognisable as a feature of the last years of the Republic, and which is known to us from Varro's work on farming, and from Virgil's Georgics, the old religion of the household gained a new life.
top |
